A variada esfera do saber e do conhecimento secular – João Calvino
John Calvin’s statue, International Monument to the Reformation (Monument international de la Réformation / Internationales Reformationsdenkmal), 1909, “Geneva’s Reformation Wall”. The 100 meters long monument depicting Protestant figures from across
Graça Comum – Michael Horton
Galileo Demonstrating the New Astronomical Theories at the University of Padua (Galileo en la Universidad de Padua demostrando las nuevas teorías astronómicas), 1873, Félix Parra (Félix Parra Díaz, Mexican Academic
O Prazer – Conselho de um Demônio Veterano ao seu Jovem Sobrinho
Adam and Eve (Adán y Eva / Sündenfall), detail, c. 1550, Titian (Italian High Renaissance Painter, ca.1485-1576), oil on canvas, 240 × 186 cm, Museo del Prado, Madrid, Spain Nunca
A personalidade experimentada no Outro – Wolfhart Pannenberg
The Creation of Adam, detail, Sistine Chapel ceiling, central section, c. 1508-1512, Michelangelo Buonarroti (Italian High Renaissance/Mannerist Painter and Sculptor , 1475-1564), The Sistine Chapel, Rome, Vatican City Sem a
Repassando o “anel da culpa” para outrem – Paul Tournier
The Scapegoat (Le bouc émissaire / Der Sündenbock), 1854-1856, William Holman Hunt (English Pre-Raphaelite Painter, 1827-1910), Oil on canvas, 87 x 140 cm, Lady Lever Art Gallery, Port Sunlight, Merseyside,
A Vocação Missionária da Igreja e a Abordagem Cultural
The Sacrifice at Lystra, 1515-16, Raphael Sanzio (Italian High Renaissance Painter, 1483-1520), Bodycolour over charcoal underdrawing on paper, mounted on canvas, 347 x 532 cm, Victoria and Albert Museum, London,
Santo Antão e a Tentação do “Vil Metal” – Fra Angelico
Saint Anthony the Abbot Tempted by a Lump of Gold (Sant‘antonio abate tentato dall’oro), ca. 1436, Fra Angelico (Italian Early Renaissance Painter, ca.1387-1455), tempera on panel, Museum of Fine Arts,
“Preferimos a caçada ao momento da morte da presa” – Blaise Pascal
Algumas vezes, quando começo a refletir sobre as várias atividades dos homens, os perigos e dificuldades que enfrentam na corte ou em tempos de guerra – que são a causa
“Ética na Internet: Off Line”
Theological discussion, 1863, Edouard Moyse (French Academic Painter Engraver and Illustrator, 1827-1908), oil on canvas, 92 x 73.5 cm. (35 x 28 in.), Modern Art Gallery, Tel Aviv, Israel Uma