Autoconhecimento e “Depressão Espiritual” – D. M. Lloyd-Jones
The abandoned girl (La Jeune Fille Abandonnée / L’abandonnée), 1851, Octave Tassaert (Nicolas François Octave Tassaert, French Painter, 1800-1874), oil on canvas, 33 x 25.4 cm (12¾ x 10 in.), Private
“Por uma vida cristã comum” – Michael Horton
Congregation Leaving the Reformed Church in Nuenen, 1884-1885, Vincent van Gogh (Dutch Post-Impressionist Painter, 1853-1890), Oil on canvas, 41.3 x 32.1 cm, Van Gogh Museum, Amsterdam, The Netherlands. Large size
A Leitura – Henri Fantin-Latour
The Reading (La Lecture), 1877, Henri Fantin-Latour (French Realist Painter, 1836-1904), oil on canvas, 97 x 130 cm, Musée des Beaux-Arts de Lyon, Lyon, France. Large size here.
“Mas se não gosta nem deseja a própria luz?” – Agostinho
Saint Augustine (Saint Augustin), ca. 1645-1650, Philippe de Champaigne (Flemish-born French Baroque Era Painter, 1602-1674), oil on canvas, 78.7 × 62.2 cm (31 × 24.5 in), Los Angeles County Museum
O Problema de Suposições – Paul David Tripp
Self-Portrait as a Deaf Man, ca. 1775, Joshua Reynolds (English Rococo Era Painter, 1723-1792), oil on canvas, 749 cm x 622 cm (294.9 x 244.9 in.), Tate Britain, London, UK.
Edwards e a “Melancolia” – George Marsden
As citações abaixo foram extraídas do livro A Breve Vida de Jonathan Edwards, recentemente publicado em português pela Editora Fiel, e originalmente publicado em inglês em 2008. O autor, George
Edwards e a Melancolia de Brainerd
Engraving. In: PAGE, Jesse. David Brainerd, the Apostle to the North American Indians. Scotland: John Ritchie, 1950(?), 160 pages. Cover detail. Há uma coisa em Brainerd, facilmente discernível pelo relato
Aprenda a ouvir em profundidade
Before the Confession at the Entrance to a Village Church (Перед исповедью на паперти сельской церкви), 1888, Vasily Vereshchagin (Russian Painter, 1842-1904), oil on canvas, 29 x 40 cm, The
Cristão Deprimido? – Martin Lloyd-Jones
Elijah fed by an angel (Le Prophète Elie Nourri par un Ange), altarpiece (autel-retable) of Jean Weyh de Colmar (carpenter, sculptor), detail, ca. 1897 -1899, Église Notre-Dame de l’Assomption (“Église