A Parábola da Ovelha Perdida – Jan Luyken
The Parable of the Lost Sheep (“The lost sheep sought and found by the shepherd” / “The good shepherd” / Das Gleichnis vom verlorenen Schaf / Gelijkenis van het verloren
Madalena Diante do Sepulcro de Cristo – Sebastiano del Piombo
Mary Magdalene at the Tomb of Christ (“The Empty Tomb” / Magdalena ante el sepulcro de Cristo), XVII Century, Sebastiano del Piombo (Sebastiano Luciani, Italian Mannerist Painter, ca. 1485-1547), Copy,
As Tropas de Gideão – Pedro de Orrente
The Soldiers of Gideon (The troops of Gideon / Tropas de Gedeón / Les troupes de Gédéon), 1601, Pedro de Orrente (Spanish Baroque Era Painter, 1580-1645), Copy, oil on canvas,
Sansão e o Leão – Lucas Cranach
Samson and the Lion (Samson’s fight with the Lion / Samson battling with the lion / Samson Vanquishing the Lion / Simson bezwingt den Löwen), ca. 1520-25, Lucas Cranach the
“Abraão e os Três Anjos” – Glairon-Mondet / Alessandro Turchi
Abraham and the Angels (Apparition des anges à Abraham / Prédiction des Anges à Abraham / La visite des anges / il vecchio Abramo e tre angeli), ca. 1790, E.
A Parábola das Dez Virgens – Jan Luyken
Parable of the Wise and Foolish Virgins (The Wise and Foolish Virgins / De gelijkenis der wijze en dwaze maagden / Fünf kluge und fünf törichte Jungfrauen), 1700, Johannes Luyken
Noé Amaldiçoa Cam – Ivan Stepanovich Ksenofontov
Noah Damning Ham (Noah Curses Ham / The Curse of Ham / Ной проклинает Хама), ca. 1850, Ivan Stepanovich Ksenofontov (Иван Степанович Ксенофонтов, Russian Academic Painter, 1817– 1875), Oil on
A Parábola da Figueira Infrutífera – Jan Luyken
The Parable of the Fig Tree, Johannes Luyken (Also known as Jan Luyken, Dutch Poet, Illustrator and Engraver, 1649–1712), etching, Illustration to Luke 13:6-9 in “Bowyer’s Bible“, Bolton Museum, Greater
O Arrebatamento – Jan Luyken
“Digo-vos, naquela noite, dois estarão numa cama; um será tomado, e deixado o outro; duas mulheres estarão juntas moendo; uma será tomada, e deixada a outra. Dois estarão no campo;