Imitação e Responsabilidade – Georg Simmel
Infanta Margarita Teresa in a Blue Dress (Infantin Margarita Teresa [1651-1673] in blauem Kleid / L’Infante Marguerite-Thérèse d’Autriche en robe bleue / La Infanta Margarita en azul), 1659, Diego Velázquez
Volta às Trincheiras – Eliseu Visconti
Volta às Trincheiras (Back to the Trenches), ca. 1917, Eliseu Visconti (Pintor brasileiro, 1866-1944), óleo sobre tela, 95 x 125 cm, Fundação Edson Queiroz, Universidade de Fortaleza, Fortaleza, CE, Brasil.
O pranto de Jacó sobre a túnica de José – Círculo de Guercino
Jacob mourning over Joseph’s coat (O pranto de Jacó sobre a túnica de José), ca. 1625, Circle of Il Guercino (Giovanni Francesco Barbieri, Italian Baroque Era Painter, 1591-1666), oil on
A Parábola da Figueira Infrutífera – Carl Rahl
The Parable of the Barren Fig Tree (Das Gleichnis vom unfruchtbaren Feigenbaum), Carl Rahl (Karl Rahl, Austrian Academic Painter, 1812-1865), Oil on paper on canvas, 25 x 31.5 cm, Österreichishe
Imitação: Forma e Conteúdo – Eugen Bleuler
Two Dancers (Duas Bailarinas), ca. 1893–98, Edgar Degas (French Realist/Impressionist Painter and Sculptor, 1834-1917), Pasteland charcoal, with stumping and burnishing, on tracing paper, pieced and laid down on cardboard, 70.5
Paisagem Montanhosa com Pastor e Rebanho – Thomas Gainsborough
Mountain Landscape With Shepherd (Landschaft mit Hirt und Herde / Paisagem Montanhosa com Pastor e Rebanho), 1784, Thomas Gainsborough (English Rococo Era/Romantic Painter, 1727-1788), oil on canvas, 120.7 x 148
Menina Escutando à Porta – Meyer von Bremen
“Os olhos não se saciam de ver, nem os ouvidos se fartam de ouvir”. (Eclesiastes 1.8b) Girl listening at the door (“Girl Listening” / “Little girl listens at the door”
Chuva na floresta de carvalhos – Ivan Shishkin
Rain in an oak forest (Rain in the Oak Grove /Дождь в дубовом лесу /Deszcz w dębowym lesie / Chuva na floresta de carvalhos), 1891, Ivan Shishkin (also known as
André e Pedro – Gian Lorenzo Bernini
Saints Andrew and Thomas (“André e Pedro”), detail, before 1627, Gian Lorenzo Bernini (Italian Baroque Era Sculptor and Painter, 1598-1680), oil on canvas, 61.5 x 78.1 cm, National Gallery, London,