Mistério e Desígnio
Weaver Near an Open Window, July 1884, Vincent van Gogh (Dutch Post-Impressionist Painter, 1853-1890), Oil on Canvas, 93 x 68.5 cm, Neue Pinakothek, Munich, Germany Mistério não significa ausência de
Weaver Near an Open Window, July 1884, Vincent van Gogh (Dutch Post-Impressionist Painter, 1853-1890), Oil on Canvas, 93 x 68.5 cm, Neue Pinakothek, Munich, Germany Mistério não significa ausência de
Apostle Paul in Prison, 1627, Rembrandt Van Rijn (Dutch Baroque Era Painter and Engraver, 1606-1669), Oil on oak panel, 73 x 60 cm, Staatsgalerie, Stuttgart, Germany
Medieval Town by Water, after 1813, Karl Friedrich Schinkel (German Painter and Architect, 1781-1841), Oil on canvas, 94 x 126 cm, Neue Pinakothek, Munich, Germany. High resolution here. Obviamente, não
Return of the Prodigal Son, 1667-70, Bartolomé Esteban Murillo (Spanish Baroque Era Painter, ca.1617-1682), Oil on canvas, 236 x 262 cm, National Gallery of Art, Washington, DC, USA
A Hopeless Dawn, 1888, Frank Bramley (English Painter, 1857-1915), Oil on canvas 122,6 x 167,6 cm, Tate Britain, London O título desta pintura foi extraído de uma passagem de John
The Song of Songs (Il Cantico dei Cantici), ca. 1850-1901, Domenico Morelli (Italian painter, 1826-1901), Galleria Nazionale d’Arte Moderna, Roma, Italy. Based on the Song of Solomon 2:10-14 and 7:11-13.
The Death of Sapphira, 1652, Nicolas Poussin (French Baroque Era Painter, 1594-1665), oil on canvas, 122 × 199 cm, Musée du Louvre, Paris, France
Uma antiga verdade é que “a pessoa ofendida resiste mais que uma fortaleza; suas contendas são ferrolhos de um castelo”. Geralmente, num conflito ou ambos ganham ou ambos perdem. No
St. Augustine, c. 1600, Caravaggio (Italian Baroque Era Painter, ca.1571-1610), oil on canvas, 47 x 37”, Private collection (Whitfield Fine Art, London) Em junho de 2011 esta obra de Caravaggio
Elijah fed by Ravens, 1620, Il Guercino (Giovanni Francesco Barbieri, Italian Baroque Era Painter, 1591-1666), oil on canvas, 195 × 156 cm, The National Gallery, London