A Abertura do Sexto Selo – Francis Danby
The Opening of the Sixth Seal, 1828, Francis Danby (Irish Romantic Painter, 1793-1861), Oil on canvas, 185 x 255 cm, National Gallery of Ireland, Dublin, Ireland. High resolution here. Vi
A Decapitação de João Batista – Caravaggio
The Beheading of Saint John the Baptist, 1608, Caravaggio (Italian Baroque Era Painter, ca.1571-1610), Oil on canvas, 361 × 520 cm (142.1 × 204.7 in), Museum of St. John, La
“Jonas Deixando a Baleia” – Jan Brueghel
Jonah Leaving the Whale, ca. 1600, Jan Brueghel the Elder (Flemish Baroque Era Painter, 1568-1625), oil on panel, 38 × 56 cm, Alte Pinakothek, Munich, Germany
O Cavaleiro no Cavalo Negro – George Frederick Watts
The Four Horsemen of the Apocalypse: The Rider on the Black Horse, c. 1878, George Frederick Watts (English Pre-Raphaelite/Symbolist Painter and Sculptor, 1817-1904), oil on canvas, 66.3 x 53 cm
A Construção da Torre de Babel – Hendrick van Cleve III
The Building of the Tower of Babel, c. 1580, Attributed to Hendrick van Cleve III (Flemish Northern Renaissance Painter, 1525 – 1589), oil on oak panel, 60,5 x 71,5 cm,
“O Bom Samaritano” – Rembrandt
The Good Samaritan, 1630, Rembrandt van Rijn (Dutch Baroque Era Painter and Engraver, 1606-1669), Oil on canvas, 68.5 x 57.3 cm, Wallace Collection, London, UK
Paulo e Barnabé em Listra – Nicolaes Berchem
Paul and Barnabas at Lystra (Paulus en Barnabas te Lystra), 1650, Nicolaes Berchem (Dutch Baroque Era Painter, ca.1620-1683), Oil on canvas, 164 x 135 cm, Musée d’art et d’industrie de
Judá e Tamar – Escola de Rembrandt
Judah and Tamar, c. 1650-1660, School of Rembrandt van Rijn (Dutch Baroque Era Painter and Engraver, 1606-1669), oil on panel. 108.5 × 130 cm (42.7 × 51.2 in), Residenzgalerie Salzburg,
As Dez Virgens – Godfried Schalcken
Five prudent and five fatuous virgins (Fünf kluge und fünf törichte Jungfrauen), 1700, Godfried Schalcken (Dutch Baroque Era Painter, 1643-1706), oil on canvas, 44 x 35in, Bayerische Staatsgemaldesammlungen, Alte Pinakothek,
O Banquete de Belsazar – John Martin
De repente, apareceram dedos de mão humana que se puseram a escrever, por detrás do lampadário, sobre o estuque da parede do palácio, e o rei viu a palma da