O Cavaleiro no Cavalo Negro – George Frederick Watts
The Four Horsemen of the Apocalypse: The Rider on the Black Horse, c. 1878, George Frederick Watts (English Pre-Raphaelite/Symbolist Painter and Sculptor, 1817-1904), oil on canvas, 66.3 x 53 cm
Paulo e Barnabé em Listra – Nicolaes Berchem
Paul and Barnabas at Lystra (Paulus en Barnabas te Lystra), 1650, Nicolaes Berchem (Dutch Baroque Era Painter, ca.1620-1683), Oil on canvas, 164 x 135 cm, Musée d’art et d’industrie de
O Banquete de Belsazar – John Martin
De repente, apareceram dedos de mão humana que se puseram a escrever, por detrás do lampadário, sobre o estuque da parede do palácio, e o rei viu a palma da
O Arrependimento de Pedro – Goya
St. Peter Repentant, 1823-1825, Francisco de Goya (Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828), oil on canvas, 290 x 255 mm (28 3/4 x 25 1/4 in.), The Phillips Collection,
Timóteo e Sua Avó – Rembrandt
Timothy with his Grandmother (Timotheus und seine Großmutter), 1648, Rembrandt van Rijn (Dutch Baroque Era Painter and Engraver, 1606-1669), Oil On Wood panel. 40.5 × 31.7 cm (15.9 × 12.5
A Queda de Babilônia – John Martin
The Fall of Babylon, 1819, John Martin (English Romantic Painter, 1789-1854), Oil on canvas, 155 x 244 cm, Private Collection. High resolution here. Nisto, um Anjo poderoso levantou uma pedra,
O Grande Dia da Sua Ira – John Martin
The Great Day of His Wrath, 1851-3, John Martin (English Romantic Painter, 1789-1854), Oil on canvas, 1965 x 3032 mm, Tate Gallery, London, UK. High resolution here. Vi quando ele
“Jonas e a Baleia” – Carlo Antonio Tavella
Eles lhe disseram: “Que te faremos para que o mar se acalme em torno de nós?” Pois o mar se tornava cada vez mais tempestuoso. Ele lhes disse: “Tomai-me e
A Visão de Ezequiel – Francisco Collantes
The Vision of Ezekiel, 1630, Francisco Collantes (Spanish Baroque Era Painter, 1599-1656), Oil on canvas, 177 x 205 cm, Museo del Prado, Madrid, Spain Profetizei, de acordo com a ordem