O Banquete de Belsazar – Rembrandt
Belshazzar’s Feast, c. 1635, Rembrandt Van Rijn (Dutch Baroque Era Painter and Engraver, 1606-1669), Oil on canvas, 167.6 × 209.2 cm, National Gallery, London, England
“Qual dos dois realizou a vontade do pai?”
In the Vineyard, c. 1852-53, Jean-François Millet (French Realist Painter, 1814-1875), Oil on canvas, 37.6 x 29.6 cm, Museum of Fine Arts, Boston, USA Que vos parece? Um homem tinha
Abraão Expulsa Agar e Ismael – Guercino
Abraham Casting Out Hagar and Ishmael, 1657, Il Guercino (Giovanni Francesco Barbieri, Italian Baroque Era Painter, 1591-1666), Oil on canvas, 115 x 154 cm, Pinacoteca di Brera, Milan, Italy. High
“O Bom Samaritano” – Tapiro y Baro
The Good Samaritan (La caridad del Samaritano), José Tapiro y Baro (Spanish Painter, 1836-1913), oil on canvas, 74 x 94 1/2in (188 x 240cm), Private Collection
“Não há bálsamo em Gileade?”
Eles curam a desgraça da filha do meu povo de um modo superficial, dizendo: “Paz! Paz!”, quando não há paz.Esperamos a paz: nada de bom!o tempo da cura: eis o
O Fariseu e o Publicano – Tissot
The Pharisee and the Publican (Le pharisien et le publicain), 1886-1894, James Tissot (French Painter, 1836-1902), Opaque watercolor over graphite on gray wove paper, 9 7/8 x 6 1/2 in.
Paisagem com a Parábola do Semeador – Bruegel
Landscape with the Parable of the Sower, 1557, Pieter Bruegel the Elder (Flemish Northern Renaissance Painter, ca.1525-1569), oil on panel, Timken Art Gallery, San Diego, CA, United States
A Alegria de Recuperar
Shepherd with a Flock of Sheep, 1884, Vincent van Gogh (Dutch Post-Impressionist Painter, 1853-1890), Oil on Canvas on Cardboard, 67 x 126 cm, Soumaya Museum, Mexico City, Mexico Qual de
O Retorno do Filho Pródigo – Pompeo Batoni
Return of the Prodigal Son, 1773, Pompeo Girolamo Batoni (Italian Rococo Era Painter, 1708-1787), oil on canvas, 138 x 100,5 cm, Kunsthistorisches Museum, Vienna