O Retorno do Filho Pródigo – Guercino
Return of the Prodigal Son, 1619, Il Guercino (Giovanni Francesco Barbieri, Italian Baroque Era Painter, 1591-1666), Oil on canvas, 107 x 144 cm, Kunsthistorisches Museum, Vienna, Austria Mas o pai
Jacó com o Rebanho de Labão – Jusepe de Ribera
Jacob with the Flock of Laban, ca. 1638, Jusepe de Ribera (called Lo Spagnoletto, Spanish-born Italian Baroque Era Painter, ca.1591-1652), Oil on canvas, 132 x 118 cm, The National Gallery,
“A Pérola Gloriosa” (A Parábola da Pérola) – Domenico Fetti
“The Glorious Pearl” (The Parable Of The Pearl Of Great Price), 1621/22, Domenico Fetti (Italian Baroque Era Painter, ca.1589-1624), Oil on panel, 60.5 x 44 cm, Kunsthistorisches Museum, Vienna, Austria
Paisagem com o Casamento de Isaque e Rebeca – Claude Lorrain
Landscape with the Marriage of Isaac and Rebecca, 1648, Claude Lorrain (French Baroque Era Painter, ca.1602-1682), Oil on canvas, 152.3 x 200.6 cm, The National Gallery, London, UK. High resolution
Aimeleque dá a Espada de Golias a Davi – Aert de Gelder
Ahimelech Giving the Sword of Goliath to David,1680s, Aert de Gelder (Dutch Baroque Era Painter, 1645-1727), Oil on canvas, 90 cm x 132 cm (35.5 x 52 in.), The Getty
A Libertação de Pedro – Hendrik van Steenwyck, O Jovem
The Liberation of St. Peter, 1619, Hendrik van Steenwyck the Younger (Dutch Baroque Era Painter, ca.1580-1649), Oil on metal (copper), 48,3 x 66 cm (irregular), Royal Collection, Windsor, UK. High
Moisés Ferindo a Rocha – Poussin
Moses Striking The Rock, 1649, Nicolas Poussin (French Baroque Era Painter, 1594-1665), Oil on canvas, 122.5 x 191 cm, The Hermitage, St. Petersburg, Russia. High resolution here.
Jacó e Raquel junto ao Poço – Luca Giordano
Jacob and Rachel at the Well, ca. 1690, Luca Giordano (Italian Baroque Era Painter, ca.1634-1705), Oil on canvas, 102 x 128 cm (40.2 x 50.4 in.), Private collection. High resolution
“A transformação do sofrimento em adoecimento”
The Doctor and His Patient, Jan Steen (Dutch Baroque Era Painter, ca.1625-1679), Oil on canvas, 76 x 64 cm, Rijksmuseum, Amsterdam, The Netherlands Nesses dois séculos da “medicina científica”, a