“The Glorious Pearl” (The Parable Of The Pearl Of Great Price), 1621/22, Domenico Fetti (Italian Baroque Era Painter, ca.1589-1624), Oil on panel, 60.5 x 44 cm, Kunsthistorisches Museum, Vienna, Austria
Landscape with the Marriage of Isaac and Rebecca, 1648, Claude Lorrain (French Baroque Era Painter, ca.1602-1682), Oil on canvas, 152.3 x 200.6 cm, The National Gallery, London, UK. High resolution
Ahimelech Giving the Sword of Goliath to David,1680s, Aert de Gelder (Dutch Baroque Era Painter, 1645-1727), Oil on canvas, 90 cm x 132 cm (35.5 x 52 in.), The Getty
The Good Shepherd (“The Lost Sheep”), ca. 1900, Alfred Usher Soord (British Painter, 1868-1915), Oil on canvas, 275 x 182 cm, St. Barnabas Church, Homerton High Street, Hackney, London, England.
Jael and Sisera, ca. 1739, Giacomo Amiconi (Jacopo Amigoni, Italian Rococo Era Painter, ca.1682-1752), Oil on canvas, Museo del Settecento Veneziano, Ca’ Rezzonico, Venice, Italy
Submersion of Pharaoh in the Red Sea (Passaggio del Mar Rosso), 1515-20, Andrea Previtali (Italian Early Renaissance Painter, ca.1470-1528), Oil on canvas, 132 x 213 cm, Gallerie dell’Accademia, Venice, Italy.
The Liberation of St. Peter, 1619, Hendrik van Steenwyck the Younger (Dutch Baroque Era Painter, ca.1580-1649), Oil on metal (copper), 48,3 x 66 cm (irregular), Royal Collection, Windsor, UK. High
Moses Striking The Rock, 1649, Nicolas Poussin (French Baroque Era Painter, 1594-1665), Oil on canvas, 122.5 x 191 cm, The Hermitage, St. Petersburg, Russia. High resolution here.
Jacob and Rachel at the Well, ca. 1690, Luca Giordano (Italian Baroque Era Painter, ca.1634-1705), Oil on canvas, 102 x 128 cm (40.2 x 50.4 in.), Private collection. High resolution
Observados esses acontecimentos de uma perspectiva ampla torna-se mais ou menos evidente que os privilégios concedidos à Inglaterra constituíram uma consequência natural da forma como se processou a independência, sem
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